Future Present Archeologies


This work presents an ironic revisit to Artemis of Ephesus, with her multiple protrusions reimagined through a modern perspective where bodies are just another commodity to modify and control. I speculate on how future civilizations might discover our bodies, just as we uncovered the preserved forms of Pompeii, witnessing how industrial chemicals have altered us into synthetic abundance—bodies that merge with synthetic materials in a twisted post-human shift, echoing her ancient form encountered in a future Post-modern Pompeii site. 
Materials: Ceramic bisque, glass, food dyes, water, oxidation, and industrial materials.
Andrea Nhuch, 2025

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Post-modern Pompeii, 2023. DV.  Ceramic bisque, metal, water, paprika, FD&C Yellow 5, FD&C Red 3, saffron.
She, part of Post-modern Pompeii, 2023. 60x16x12 inches. Ceramic bisque, red light.
Her, part of Post-modern Pompeii, 2023. 6x14x2 inches. Ceramic bisque, metal, water, paprika, FD&C Yellow 5, FD&C Red 3, saffron. 
Post-modern Pompeii, 2023
Texture study. 
Broken right foot-hand. Recovered breast.  34.084189, -118.482053, 2025. Ceramic bisque, paper clay slip, black thread, brown slip, kiln explosion, heat. DV.
Artemis of Los Angeles, 2025. 40x17x19 inches. Ceramic bisque, glass.
Artemis of Los Angeles, 2025. Breast close up.

Artemis of Los Angeles, 2025. Close up.


@2025 Andrea Nhuch